the clock-face and its twelve eternally recurring dots do not recognise or allow our frail-shouldered protagonist
otherwise inconspicuous but with eyes alive in the radiance of a despair known only to sailors who have reached the precipice at the end of the world where the oceans end
.................
Morse/Raza
Samuel Morse and Syed Haider Raza happened to be sitting next to each other on the high Art Deco stools lined up in a row along the floor-to-ceiling bay windows of the finest Belgian glass.
So, Samuel,
so so Samuel (have to stop before I remind he-who-must-not-be-named of the sparkling starlit chrysenthemums that once bloomed in his beloved Elysium)
you (no Y, by choice. like e e cummings) must have also dreamt the same world (within and without) frequented a few decades on by Syed Haider Raza; both have to make sure that you lend form to the formless before future's inexorable tyranny overwrites and deletes the faded balls of twine the three
Moirai
BOOM!
spin and spin and spin
.................
those auden moments of supracelestial insight
travelling and tormented dialectic and bizarre
.................
the udita and rahat poem
sheletering and loving me like who else will ever again
.................
On Melmoth the Wanderer
If you are a loner